SINGERS’ CURRICULUM

Below are the detailed CVs of the singers selected for the main roles in the opera Andrea Chenier  by U. Giordano, to be held as part of the “ Rassegna Nuove Voci della Lirica – IX Edizione”, presented in the application for funding relating to the call for proposals by the Lazio Region “Interventions for Live Entertainment – ​​Year 2026”


Role: Carlo Gerard
Elia Fabbian, baritone – born on 26.04.1981

Among the leading Italian baritones of the new generation, his repertoire includes Jago in Otello, Amonasro in Aida, Sir John Falstaff in Falstaff (among his leading roles), Rigoletto, Giorgio Germont in Traviata, Simon Boccanegra, Tonio in Pagliacci, Carlo Gerard in Andrea Chenier, Schicchi in Gianni Schicchi, Michele in Tabarro, Scarpia in Tosca, Jack Rance in Fanciulla del West, Malatesta in Don Pasquale etc.

He has worked in theaters such as: La Scala in Milan, the Fenice in Venice, the San Carlo in Naples, the Regio in Parma, the Maggio Musicale Fiorentino, the Arena di Verona Foundation, the Macerata Opera Festival, the Piacenza Theater Foundation, the Comunale in Modena, the Comunale in Ferrara, the Sociale in Rovigo, Verdi in Trieste, Massimo in Palermo, Lirico in Cagliari, Petruzzelli in Bari, Carlo Felice in Genoa, Verdi in Pisa, Giglio in Lucca etc.; internationally, Lille Opera, Cologne Opera, Deutsche Oper Berlin, Toulon Opera, Paris Opera, Opéra Royale de Wallonie Liege, Savonlinna Opera Festival, Opera du Rhin, Liceu in Barcelona, ​​Graz Opera, Seoul Arts Center, Daegu Opera, Kiel Opera, Massy Opera, Skopje Opera, Split Opera, Belgrade Opera etc.

He performed the role of Sir John Falstaff in 2013 at La Scala in Milan conducted by D. Harding, directed by R. Carsen, in 2016 at the San Carlo in Naples conducted by P. Steinberg directed by L. Ronconi, in 2023 in Luxembourg, Caen, Lille Opera conducted by A. Allemandi directed by D. Podalydes and at the Verdi Festival in Parma conducted by A. Palumbo directed by M. Renga. In 2024 Ping for the Production of Turandot at the Arena di Verona in Seoul Sol Opera, conducted by D. Oren production by F. Zeffirelli / S. Trespidi, Marcello in Boheme at the Teatro Politeama Greco in Lecce conducted by G. Fratta directed by O. Draganoff.

2025: Nabucco for Civitanova Opera, soon Rigoletto at the Stara Zagora Opera conducted by José Cura, where he will also perform the role of Gianni Schicchi. He will be Tonio in Pagliacci at the Teatro Politeama Greco in Lecce (2025 season), and Rigoletto in Noale di Venezia. He will be at the 2026 Sarema Festival (Estonia) in the roles of Alfio and Dulcamara.

https://www.youtube.com/@leporello26 YouTube channel

https://www.youtube.com/watch?v=_3goNVZwVyE The Prologue


Role:   Maddalena di Coigny
Marija Jelic, soprano – born 23.2.1993

Born in Belgrade in 1993, she studied repertoire in Italy with Maestro Nelson Guido Calzi of the Teatro alla Scala in Milan, mezzo-soprano Bruna Baglioni, and currently with Maestro Fernando Cordeiro Opa. In 2017, she began singing in opera productions at the Opera Studio of the National Theater in Belgrade. She has performed Micaëla (Carmen) and Stanka by Binički at the Belgrade National Opera, and Mimi (La Bohème), Aida (Aida), Tosca (Tosca), and Elisabetta (Don Carlo) at the Serbian National Theater in Novi Sad. She has performed numerous concerts in Azerbaijan, Argentina, Italy, Latvia, Estonia, Germany, Mexico, Argentina, Bulgaria, North Macedonia, Croatia, and Slovenia. In 2021, she performed a concert performance of Carmen at the Ljubljana Festival with Elīna Garanča and Jonathan Tetelman, conducted by Karl Mark Chichon; in Ohrid, at the opening gala concert of the 60th Ohrid Summer Festival; in Belgrade, with Plácido Domingo and the Serbian Radio and Television Symphony Orchestra; in Croatia, with José Cura; and at the Plovdiv Festival, performing Beethoven’s Symphony No. 9. She performed with the Jerusalem Symphony Orchestra and Maestro Sébastien Rouland, and sang the role of Mimi in La Bohème at the Jerusalem Opera Festival (Israel). She performed the same role in Estonia at the Narva Opera Festival. In Latvia, she sang with the Riga National Opera Orchestra at the Sigulda Opera Festival and the Liepāja Symphony Orchestra. She performed Elisabetta from Don Carlo at the Plovdiv Opera House. Marija gave a solo concert at Carnegie Hall in New York with pianist Anthony Manoli. In 2022, she performed Britten’s Illumination cycle at the Ohrid Summer Festival. In 2023, she performed Gorecki’s Symphony No. 3 with the Belgrade Philharmonic Orchestra and Maestro Gabriel Feltz. She sang Aida at the Cairo Opera House, Mahler’s Symphony No. 4 with the Sofia Philharmonic Orchestra, Aida at the National Opera of North Macedonia, the Countess in The Marriage of Figaro at the Charlotte Opera (USA), Judith in Bartok’s Bluebeard’s Castle at the Narva Opera Festival (Estonia), the gala concert with the Toluca Philharmonic Orchestra (Mexico), and Maddalena di Coigny in Andrea Chenier in Belgrade. In Seoul, Marija performed Mimi in La Boheme at the Seoul Lotte Concert Hall. In 2024, she performed with the Sofia Philharmonic Orchestra and recorded the world premiere of Adolph Adam’s “Griseldis” for Naxos. She performed the role of Mimì at the Taipei Performing Arts Center with the Taipei Symphony Orchestra in Puccini’s opera La Bohème, conducted by Marco Boemi. In 2024, among other concerts and performances, she sang in the gala concert for the opening night of the 75th season of Opera Carolina (USA), “A Night to Remember,” and Tosca in the National Opera and Ballet of North Macedonia, conducted by Maestro Elio Ociuolo.a concert with the ensemble “Umberto Giordano” at the Camerata Musicale Barese (Bari) and debuted as Santuzza in Cavalleria Rusticana at the Heraklion Cultural Center (Greece) under the direction of Maestro Myron Michailidis. In 2025 she was Ciò Ciò San in Madama Butterfly at the National Opera of Skopje, Tosca at the Teatru Astra in Gozo – Malta, present at the Taormina Festival, and will soon be in the gala concert for the opening night of the 76th season of Opera Carolina (USA) “A night to remember” where in 2026 she will perform the roles of Suor Angelica and Nedda in Pagliacci at the Heraklion Cultural Center (Greece) under the direction of Maestro Myron Michailidis.

He is president of the International Opera Foundation, founded in Belgrade, Serbia.


Role: Andrea Chenier
Dario Di Vietri, tenor – born May 17, 1984

He made his debut in 2009/2010 as Pinkerton in Madama Butterfly for Opera Lombardia (Circuito Lirico Lombardo). Winner of the “Una voce per l’Arena” competition, tenor Dario Di Vietri made his debut at the Arena di Verona in the role of Calaf in Turandot conducted by D. Oren and directed by F. Zeffirelli in the summer of 2014. This led to numerous engagements throughout Italy and around the world: Arena di Verona, Opera di Roma, San Carlo di Napoli, Petruzzelli di Bari, Verdi di Salerno, Puccini Festival di Torre Del Lago, Opera de Oviedo, Greek National Opera, Maggio Fiorentino, Seoul Arts Center, Regio di Parma, National Theater of Belgrade, National Opera of Bucharest, State Opera of Ankara, Cairo Opera House, Dubai Opera, Polish National Opera, Opera Carolina, Kaohsiung Cultural and Artistic Center – Taiwan, Cartagena International Music Festival singing the leading roles of Radames in Aida, Riccardo in Un Ballo in Maschera, Calaf in Turandot, Cavaradossi in Tosca, Pinkerton in Madama Butterfly, Renato Des Grieux in Manon Lescaut, Samson in Samson et Dalila, Don José in Carmen, Turiddu in Cavalleria Rusticana, Manrico in Trovatore, Maurizio di Sassonia in Adriana Lecouvreur etc.

In the 2024 season he performs in the title role of El Greco in the homonymous title by George Hatzinasios at the Megaron Trianti Music Hall in Athens directed by Angela Saroglou, conducted by Nikos Vassileiou, Calaf in Turandot for Opera Carolina in Charlotte conducted by James Meena, directed by Jay Lesenger, Samson in Samson et Dalila at the Varna Summer Festival conducted by Grigor Palikarov, directed by P. Emile Fourny revived by A. Gurra, he is Gabriel Jensen in Falso Tradimento by Marco Tutino directed by Hugo De Ana conducted by Beatrice Venezi at the Ente De Carolis in Sassari, Calaf in Turandot at the Vilnius National Opera directed by Robert Wilson conducted by Modestas Pitrenas, Cavaradossi in Tosca at the Skopje National Opera conducted by Elio Orciuolo, Samson again at the Varna Opera, Turiddu in Cavalleria Rusticana at the Centro Cultural Institute of Heraklion directed by Myron Michailidis and directed by Marco Voleri, he performed in various concerts including: Puccini Gala for the International Opera Foundation of Belgrade, Concert in memory of Silvio Agnelli in Rezzato (Brescia), Puccini Gala at the Mole Vanvitelliana in Ancona and for the Gigli Opera Festival in Recanati.

In 2025 he performed in concert for the opera season of Civitanova all’Opera at the Teatro Ventidio Basso in Ascoli Piceno and at the Teatro Annibal Caro in Civitanova Alta, at the Festival of Sacred Music in Rome, he was Turiddu in Cavalleria Rusticana for the Belliniano Festival, Calaf in Turandot at the Puccini Festival in Torre del Lago conducted by Renato Palumbo and directed by Alfonso Signorini, Concerts at the Festival dei Palazzi, for the International Opera Foundation Belgrade, Italian Embassy in Cordoba (Argentina), in Rome for the Verdi Gala with the Orchestra of Rome 3 conducted by Maestro Marco Boemi, Concerto by P. Mascagni at the Mascagni Festival in Livorno, and Verdi’s Requiem at the Nuremberg Symphony conducted by Marcello Mottadelli, Cavaradossi in Tosca at the Teatro Astra in Malta, soon his debut in Andrea Chenier at the Opera of Stara Zagora, Canio in Pagliacci at the Cultural Center of Heraklion directed by G. Vaccari.

Among the engagements for the upcoming seasons: Cavaradossi in Tosca at the Eptapyrgion Festival in Thessaloniki, El Greco by Giorgos Hatzinasios at the Megaron in Thessaloniki and at the Heraklion Cultural Center in Crete, Turiddu in Cavalleria Rusticana for Sarema Festival, Radames in Aida at Charlotte Opera Carolina (2027) and Gala Concert in Passau Germany (2027).

2023: He performs as Radames in the Production of Aida (Aida Concept) organized by the Italian Embassy and the Cairo Opera House conducted by E. Orciuolo, directed by D. Garattini Raimondi, Aida at the Pablo Villavicencio Theater in Culiacan, Sinaloa (Mexico), conducted by E. Patron De Rueda, Samson in Samson et Dalila at the National Opera of Tirana conducted by M. Attura, directed by PE Fourny, Radames for the Como Città della Musica Festival of the Teatro Sociale di Como conducted by E. Lombardi directed by A. Pizzech, Calaf in Turandot (First cast) at the Teatro Lirico Sperimentale in Spoleto conducted by C. Palleschi directed by A. Pizzech, Cavaradossi in Tosca for the Circuito Lirico del Piemonte directed by S. Colella directed by J. Suppa, Don José in Carmen Teatro Politeama Greco Lecce conducted by M. Mottadelli directed by G. Vaccari.
Concerts: Opera D’Amore tour (in Holland and Belgium October 2023), in Gharb Malta, at the Mole Vanvitelliana in Ancona, at the Benicassim International Festival Spain, at the Sarzana Opera Festival, Sacred Concert at the Basilica of St. Stephen in Mindelheim – Bavaria.

2022: Radames in Aida at the Petruzzelli Theater in Bari, conducted by R. Palumbo and directed by M. Bauduin; Riccardo in Un Ballo in Maschera at the National Opera of Tirana, in a co-production with the Teatro Regio di Parma; Radames in Aida at the Novi Sad Opera, conducted by M. Boemi, and at the Cairo Opera House, conducted by D. Crescenzi. Cavaradossi in Tosca at the Bellini Theater in Catania and the Teatro Politeama Greco in Lecce; and Calaf in Turandot at the Chisinau Opera House – Maria Biesu Festival.

Concerts have been performed at the Sicilian Symphony Orchestra in Palermo, the Liepaja Symphony Orchestra, the Vijandi Summer Festival (Estonia) conducted by Marcello Mottadelli, the Bel Canto Festival (Poland), and the Festival delle Ville Tuscolane – Irvit Rome. He recently performed in Rossini’s Petite Messe Solennelle conducted by J. Sipari di Pescasseroli with the Abruzzese Symphony Orchestra at the Upper Basilica of St. Francis in Assisi and at the Basilica dell’Ara Coeli in Rome.

https://www.youtube.com/zGUbHOOy    Cavalleria Rusticana – Heraklion director M. Michailidis

Tosca – And the Stars Were Shining  – Verona Arena

Tosca – And the Stars Shined  – Teatro Bellini Catania 2022 conductor L. Piovano directed by R. Giacchieri Oct. 2022

 Tosca – And the Stars Lighted – Teatro Bellini Catania 2022 conductor L. Piovano directed by R. Giacchieri

https://www.youtube.com/WKwK3qJPo  Turandot Concerto – Philharmonic Hall St. Petersburg 

https://www.youtube.com/77vl0sCg  Radames – Teatro Petruzzelli di Bari 2022 director R. Palumbo directed by M. Bauduin 

https://www.operaonvideo.com/aida-prima  Aida Documentary from Bari Petruzzelli 2022 RAI 5 

https://www.youtube.com/GNSD66YJo  Radames – Verona Arena Director D. Oren 

https://www.youtube.com/F-6Aw56wpQ&  Radames – Dubai Opera conductor P. Fournillier 

https://youtu.be/NUSysk0aR2s Turandot – Robert Wilson LNOBT Production

Nessun Dorma – Opera Carolina at the piano November 2024

Nessun Dorma – Charlotte 1 (acting)

Nessun  Dorma Charlotte 2 (acting)

Some Criticisms:

Cavalleria Rusticana – Heraklion Cultural Centre December 2024

https://www.operattika.gr/en/cavalleria/

The Opera of Cavalleria Rusticana in Crete: Dario Di Vietri is an accomplished tenor, gifted with a lyric-dramatic voice, who has distinguished himself on numerous European stages in romantic and verismo roles such as Calaf, Radames, Sansone, Turiddu, and many others. His interpretation of Turiddu was exemplary, characterized by dramatic tones and ringing high notes, with a voice that blends perfectly with those of Lucia and Santuzza in their respective roles. Alexios Spanides

El Greco Megaron Athens Concert Hall

https://www.operaactual.com/inspira-griega/

same review in the magazine L’Opera 

https://impiccioneviaggiatore.iteatridellest.com

Turandot Opera Carolina

Perry Tannenbaum

“ There was enough Luciano Pavarotti DNA surfacing in his tenor to assure us that he would likely be equal to Calaf BigNessun Dorma Moment when the curtain rose on act 3. ”


Role: Bersi
Sandra Pastrana, Mezzo-soprano – born on 02.28.1978

Born in Granada, Spain, she graduated with honors in Violin from her hometown Conservatory at a young age, and subsequently in Voice from the Conservatorio Supremo di Musica del Liceu in Barcelona. She made her stage debut at a young age, singing Serpina in Pergolesi’s Serva Padrona at the Teatro del Liceu in Barcelona. Sandra Pastrana has already performed with leading conductors in the most prestigious opera houses, including Zubin Mehta, Riccardo Muti, Gianluigi Gelmetti, Daniel Oren, Carlo Rizzi, Alberto Zedda, Bruno Campanella, José Miguel Pérez-Sierra, Antonino Fogliani, Giampaolo Bisanti, and Stefano Montanari. Sandra Pastrana has deep ties to her native Spain. She is a regular guest in major symphony seasons there, as well as in all the major opera houses, including the Gran Teatre del Liceu in Barcelona and the Teatro Real in Madrid. She also sang in the zarzuelas “La del manojo de Rosas” (Ascensión), “La Lola se va a los puertos” (Lola), “Katiuska la mujer rusa” (Katiuska) and “Pepita Jimenez” (Pepita).

She is a highly appreciated interpreter of the twentieth century repertoire: she sang in “Il Ratto d’Europa” and “L’Abandon d’Ariane” by Milhaud at the Teatro de La Maestranza in Seville, “L’enfant et les sortilèges” at the Liceu in Barcelona, ​​“Il cappello di paglia di Firenze” by Nino Rota at the Teatro del Maggio Musicale in Florence; Stelvio Cipriani’s “La Messa Solenne” at the Auditorium della Conciliazione in Rome, and Angelo Inglese’s “La Bottega dei Sogni” at the Teatro Petruzzelli in Bari. She sang in Stefano Lentini’s soundtrack for Wong Kar Wai’s “The Grandmaster,” which opened the Berlin International Film Festival, Jose Garcia Roman’s “Requiem,” Gian Carlo Menotti’s “Help, Help the Globolinks” in Palermo, Britten’s “Peter Grimes” and Janáček’s “Jenufa” at the Teatro Comunale in Bologna under the direction of Jurai Valčuha. More recently she sang Montsalvatge’s “El Gato con Botas” at the Tres Cantos Festival in Madrid, “Aida” at the Teatro Real in Madrid with Luisotti, “La Canterina” at Brühl’s Haydn Festival, in various recitals with orchestra at the Palau della Musica in Valencia, Mozart’s Requiem at the Auditorio Nazionale in Madrid, in “Carmen” at the Teatro San Carlo in Naples on tour in Bangkok with Zubin Mehta, “La Pietra del Paragone” at the Lirico in Cagliari, “El Retablo de Maese Pedro” by Falla at the Teatro Politeama in Palermo, “Manon Lescaut” by Puccini at the Teatro del Giglio in Lucca, “El Gato con Botas” by Montsalvatge at the ADDA Auditorium in Alicante, “Se Vende” by J.Rueda-D.del Puerto-J.Arias in Madrid, “Das Lied von der Erde” (The Song of the Earth) by Mahler in Lucca, Puccini’s “Manon Lescaut” at the Teatro Carlo Felice in Genoa, and Verdi’s “Requiem” at the Auditorio Nacional in Madrid. Future engagements include Rigoletto at the Teatro Real in Madrid, El Barberillo de Lavapies with Spanish Radio and Television in Madrid, Roméo et Juliette at the Teatro Campoamor in Oviedo, and Carmen at the Auditorio Manuel di Falla in Granada.

Sandra Pastrana received the 2016 Ottavio Ziino Lifetime Achievement Award in Rome; she received the 2018 Blas Infante Award for the Arts at the Beas in Granada; and the 2019 Barretta Award for Music in Granada. She received the 2022 Realejo Award for International Artistic Lifetime Achievement. She recently sang Stephano in Romeo et Juliette at the Oviedo Opera and currently Romeo in Capuleti e Montecchi at the Teatro Comunale in Belluno.

https://www.youtube.com/Tkbmyxigs  Habanera

https://www.youtube.com/mAnczUg8  Seguedille

https://www.youtube.com/KcdpU9Br4  Favorite

https://www.youtube.com/x78yps1IQ  The Tarantula


Role: Mathieu
Donato Di Gioia baritone – born 09.10.1968

http://www.donatodigioia.com/
Born in Campobasso, after completing his master’s degree and major in violin at the city conservatory, he studied with Bruno Pratico, subsequently with Paride Venturi and Carlo Meliciani, Mario Melani (singing teacher at the Colon in Buenos Aires, co-founder of the Osimo Academy and the Rossini Opera Festival) and Raul Gimenez, for whom he was assistant in various masterclasses in Spain and Italy and colleague in various vocal galas (Barcelona, ​​Ravenna). Winner of various international opera competitions: 1st Prize Gaspare Spontini di Maiolati Spontini Male Section, 1st Prize Best Young Singer Season Teatro Verdi in Trieste, he was awarded a scholarship to the International Academy of the City Theatre of Cagli (PS).
He expresses himself in a repertoire that ranges from Baroque opera through Paisiello, Cimarosa, Rossini, Mozart, Donizetti, Verdi, Massenet, Puccini, Bizet, Mascagni, Leoncavallo, Rota, up to the late 20th century with composers such as Britten, Shostakovich, Janaceck; over 40 roles to his credit including: Figaro, Dandini, Taddeo (Rossini); Don Giovanni, Leporello, Guglielmo, Count d’Almaviva, Papageno (Mozart); Dulcamara, Malatesta, Belcore (Donizetti); Germont, Guido Di Monforte, Rigoletto, Ford (Verdi); Marcello, Schaunard, Ping, Gianni Schicchi (Puccini); Silvio (Leoncavallo); Alfio (Mascagni), to name a few.
He has performed in world premieres in major concert halls, as well as on the stages of major European, Asian, and American opera houses, including the San Carlo in Naples, the Regio in Turin, the Arena di Verona, the Maggio Fiorentino, the Rome Opera, the Puccini Festival, the Ravenna Festival, the Real in Madrid, the Paris Opera, the Concertgebouw Hall in Amsterdam, the Bayreuth Opera, the Krakow Opera, Varna, Vilnius, Ljubljana, the Tokyo Bunkaikan, the Musashino Concert Hall, the Nagasaki Opera, the Osaka Opera House, the Meixihu Culture and Art Center in Changsha, Hunan, China, the Montreal Opera, Ottawa, and many others.
He has collaborated with leading conductors including Riccardo Muti, Nello Santi, Daniel Oren, Paul Auguin, Bruno Campanella, Pinchas Steinberg, Donato Renzetti, Gianandrea Noseda, Juraj Valchùa, and others, as well as directors such as Werner Herzog, Hugo De Ana, Giancarlo Cobelli, Filippo Crivelli, Lamberto Puggelli, Giancarlo Del Monaco, Damiano Michieletto, Federico Tiezzi, Emil Sagi, Serena Sinigaglia, Denis Krief, Laurent Pelly, Willy Decker, Daniele Finzi Pasca, and Ferzan Ozpetek. He has enjoyed valuable collaborations with audiovisual record labels such as Naxos, Artenova, Bongiovanni, and Dynamic Records; Among the most recent are Puccini’s La Fanciulla del West for the opening of the 2017/18 season at the Teatro San Carlo in Naples for Dynamic Records; the box set with Pergolesi’s Serva Padrona and A. Tarabella’s Servo Padrone for Brilliant Classic; and Bellini’s Adelson e Salvini for Urania Records, in which he recorded the title role. A. Casella’s La Donna Serpente, recorded for Naxos at the Casella Festival for the Teatro Regio in Turin in 2016, was awarded “record of the month” by Magazine UK. Live radio and television recordings of operatic events with RAI and major European state television stations such as the BBC are also available. Recently, he played the Sacristan in Tosca at the Como Città della Musica Festival.


Role: Abbot/Incredible
Murat Can Guvem – tenor 21.10.1991

Born in Turkey, he lives in Rome, studies at the Conservatory of Santa Cecilia in Rome and perfects his skills with the mezzo-soprano Bruna Baglioni. He has successfully interpreted Carmen (Remendado and Don José), Les Contes D’Hoffmann Nathanael and Spalanzani, Il Viaggio a Reims (Don Luigino), Aida (Il Messaggero), La Cenerentola (Don Ramiro), Nabucco (Abdallo), Manon Lescaut (Il Lampionaio and Edmondo), I Pagliacci (Arlecchino), Falstaff (Fenton), Lucia di Lammermoor (Arturo), Don Giovanni (Don Ottavio), Il Campanello by G. Donizetti (Spiridione), Rigoletto (Borsa), The Marriage of Figaro (Basilio and Don Curzio), La Traviata (Gastone, Giuseppe), Romeo and Juliet (Benvolio), Turandot (Altoum), The Fiery Angel by S. Prokofiev (Il Dottore).

He has performed in national and international opera houses such as the Rome Opera and the Baths of Caracalla, the Petruzzelli Theatre in Bari, the Cagliari Opera House, the Coccia Theatre in Novara, the Giglio Theatre in Lucca, the Verdi Theatre in Pisa, the Goldoni Theatre in Livorno, the Arena Foundation in Verona, the Verdi Theatre in Salerno, the Ente Luglio Musicale Trapanese, and the Piedmontese Opera Circuit.

In 2015 he won the Salvatore Licitra Prize at the Licitra Competition.

He played the role of Don Josè in Carmen in 2015 and Don Ramiro in Cenerentola in 2016 for Cecilia Gobbi’s La Magia Dell’Opera.

In 2017 he performed the role of Fenton in Falstaff alongside Bryan Terfel with the Royal Liverpool Philharmonic conducted by V. Petrenko and directed by Amy Lane and was Don Ottavio in WA Mozart’s Don Giovanni for Opera Camion, a project of the Rome Opera performed again in 2018.

Since January 2018, he has been part of the Fabbrica Project – Program for Young Artists of the Rome Opera.

In 2019 he performed in concert at the Accademia Nazionale di Santa Cecilia conducted by Mikko Frank.

He has worked with renowned conductors such as Carlo Goldstein, Antonio Pirolli, Salvatore Percacciolo, Jader Bignamini, Giuseppe La Malfa, Daniel Oren, Giampaolo Bisanti, Matteo Beltrami, Andrea Certa, Guy Condette, Stefano Montanari, Mikko Frank, Jordi Bernacer, Giacomo Sagripanti, Manlio Benzi, Jacopo Suppa, Andrea Raffanini, Giuseppe Grazioli, Vasily Petrenko, Alejo Perez, José Cura, Placido Domingo and directors such as Denis Krief, Gilbert Deflo, Filippo Tonon, Stephen Medcalf, Amy Lane, Hugo De Ana, Eric Ruf, Emma Dante, Lorenzo Mariani, Giandomenico Vaccari, Graham Vick, Arnaud Bernard, Paolo Gavazzeni, Piero Maranghi, Giampiero Solari, Natale De Carolis, Nicola Zorzi, Francesco Esposito, Alessio Pizzech, Siria Colella, Giandomenico Vaccari.

He made a DVD recording for Classica in the role of Il Messaggero in Aida conducted by M. Beltrami, directed by P. Gavazzeni and P. Maranghi at the Teatro Coccia in Novara.

In the 2023 season he will be Tamino in Die Zauberflöte for Europa InCanto, Arlecchino in Pagliacci at the Ente De Carolis in Sassari, Giuseppe in Traviata at the Politeama Greco in Lecce. 

In the 2024 season, he will perform Mozart’s Requiem at the Taranto Opera Festival, Nathaniel and Spalanzani at the Vilnius National Opera, the Doctor in Nicola Piovani’s The Fiery Angel, and Theseus in Nicola Piovani’s Cretan Labyrinth at the Petruzzelli Theatre in Bari. Next summer, he will sing Harlequin in Pagliacci at the Cyprus Festival and Helmut in Marco Tutino’s Falso Tradimento, directed by Hugo De Ana and conducted by Beatrice Venezi, at the Ente De Carolis in Sassari. He will also perform in Ballo in Maschera for the opening of the Vigevano Theater, directed by A. Raffanini and directed by G. Vaccari, and in the Sequel to M. Menicagli’s Cavalleria Rusticana at the Teatro Comunale in Modica. Goro in Madama Butterfly directed by S. Colella conducted by J. Suppa for the Circuito Lirico del Piemonte, Altoum in Turandot in an important production of Turandot in Seoul Coex conducted by P. Domingo and J. Cura directed by D. Livermore.

In the 2025 season, he will be Ferrando in Così Fan Tutte at the Teatro Comunale in Sassari and Teseo in Nicola Piovani’s Labirinto di Creta at the Petruzzelli Theatre in Bari. He recently performed in D. Scarlatti’s Dindirindina and Handel’s Rinaldo at the Erice Festival conducted by Andrea Certa, and Arlecchino in Pagliacci for Lirica Tamagno. In the 2026 season, he will be Rinuccio in Gianni Schicchi and Fenton in Falstaff at Opera Carolina in Charlotte, USA.

Don Ottavio – Rome  Opera – Opera Camion

Don Ottavio – Rome  Opera – Opera Camion

https://www.youtube.com/GeMhMuc   Arlecchino Sassari Ente De Carolis

https://youtu.be/IuFHM82vVrY  Aida – The Messenger

Arturo  in Lucia di Lammermoor

https://www.youtube.com/watch?v=P3hG1KVGXMg It’s the same old story of the Shepherd

https://youtu.be/TaAYaD-YWtE  Zauberflaute


Role: Pietro Fleville
Danilo Paludi, baritone – born 04.03.1996

Born in Viterbo in 1996, she graduated in Opera Singing from the ISSMG Briccialdi in Terni, earning a first and second level Diploma in Opera Singing with a grade of 110 cum laude. She won third prize at the “Luciano Neroni” International Opera Singing Competition in Ripatransone in October 2023 and the “Best Interpreter of the Buffo Repertoire” award at the Seravezza Opera Competition. She also attended the Interpreters’ Course at the Mogol CET, obtaining her diploma in 2021. In 2016, she began her solo career, performing roles such as Uberto in Pergolesi’s “La Serva Padrona,” Buff in “L’Impresario Teatrale,” and Guglielmo in Mozart’s “Così fan tutte.” He debuted as Don Bartolo in “The Barber of Seville” and Gaudenzio in Gioacchino Rossini’s “Signor Bruschino.” He continued his career as Notary and Doctor Malatesta in Donizetti’s “Don Pasquale,” Jupiter in Offenbach’s “Orphée aux Enfers,” the Marquis in “La Traviata,” and Silvano in Giuseppe Verdi’s “Un ballo in maschera.” In the past year, he has performed the roles of Uncle Bonzo in “Madame Butterfly” and Schaunard in Puccini’s “La Bohéme.” He also collaborates with the Xilon Orchestra of Rome, appearing as a soloist in numerous concerts throughout Italy. On these occasions, he tackles sacred and modern repertoire, gaining experience both in the recording studio and on television.

 Aria Agata Part 1

 Aria Agata Part 2 (https://youtube.com/shorts/TMWeW8SYh)

https://youtu.be/uUc9QyZAn3s?si=ZkLT_6q5gb5rFO7o Tartaglia’s Monologue


Role: Schmidt 
Davide Procaccini, bass – born 25.05.1985

In 2011, after a career in pop music, he moved on to studying opera singing with Maestro Carlo Di Giacomo, who still guides him in the study of repertoire: Mozart, Halèvy, Bellini, Donizetti, Verdi, etc.  In 2017: He was Sarastro in “Die Zauberflöte” with Europa Incanto in various theaters such as the Teatro Argentina in Rome, the Teatro San Carlo in Naples, the Teatro Sociale in Rovigo, and the Teatro Mario Del Monaco in Treviso. He performed in the world premiere at the 60th Festival dei Due Mondi in Spoleto of the opera “Delitto e Dovere,” composed by Alberto Colla, which sees him engaged in the triple role of the anarchist bomber Herr Winkelkopf, Dr. Pestle, and Sir Thomas. He made his debut in September as Osmin in Mozart’s “Die Entführung auf dem Serail” conducted by Maestro Daniele Agiman at the Pafos Aphrodite Festival in Cyprus and was a finalist in the 1st “Giusi Devinu” competition, performing under the direction of Maestro Donato Renzetti. He is again engaged in the performance of “Delitto e Dovere” at the Teatro Coccia in Novara, the television coverage of which will be broadcast later on the satellite channel Sky Classica HD. He is Timur in “Turandot” at the Royal Opera House in Muscat, Oman. 

In 2018: He is Timur at the Petruzzelli Theatre in Bari and plays Tom (Un Ballo in Maschera) at the Teatro delle Muse in Ancona, directed by Guillaume Tourniaire and directed by Peter Brooks. 

In 2019: He performed the role of The Inquisitor/Father Superior in Lucio Gregoretti’s opera “Il colore del sole” at the Cucinelli Theater in Solomeo (Perugia), conducted by Gabriele Bonolis and directed by Cristian Taraborrelli; he also performed Dr. Grenvil in La traviata at the Teatro Sociale in Como and again at the Teatro Muse in Ancona. In November, he made his debut as Bartolo in The Marriage of Figaro at the Teatro Goldoni in Livorno, which will be revived in 2023 at the theaters of Lucca and Pisa.
He played Karl in the premiere of the opera Il Sordo by and with Leo Nucci, which took place on December 31st at the Teatro Municipale in Piacenza. 

In 2021: He performed the role of Il Talpa in Puccini’s Il Tabarro, conducted by Daniel Oren and directed by P. Gavazzeni and P. Maranghi at the Teatro Filarmonico in Verona. He began a specialization course with Maestro Leo Nucci. 

In 2022 Basilio in The Barber of Seville at the Romanian Opera in Craiova and on tour in Germany, Il Commendatore in Don Giovanni for the Piedmont Lyric Circuit.

In the 2023/24 season he will be performing Verdi’s Requiem for the Kosovo Philharmonic in Prishtina, in productions of Hamlet conducted by G. Grazioli, directed by P. Valerio and Tabarro at the Teatro Filarmonico in Verona directed by P. Gavazzeni and P. Maranghi conducted by G. Fratta, Angelotti in Tosca for the Circuito Lirico del Piemonte conducted by J. Suppa directed by S. Colella, in the role of Commendatore and Basilio in The Barber of Seville for IOF and Sparafucile in Rigoletto at the Teatro di Politeama in Catanzaro. In 2024 he was involved in the production of The Witches Seed by Tones on the Stones, Zio Bonzo in Madama Butterfly for the Circuito Lirico Piemontese conducted by J. Suppa and directed by S: Colella and Sam in Ballo in Maschera for the opening of the Teatro Gagnoni in Vigevano conducted by A. Raffanini and directed by G. Vaccari, Timur in Turandot in an important production of Turandot in Seoul Coex conducted by P. Domingo and J. Curà and directed by D. Livermore and engaged in Mozart’s Requiem with the Sanremo Symphony Orchestra. In summer 2025, Zio Bonzo will be performing at the Tones on the Stones Festival in Verbania, and will soon be involved in the production of Salome at the Ente de Carolis in Sassari, directed by H. De Ana, as well as in the Marchese di Calatrava in Forza del Destino at the Teatro Aurora in Malta, and with the Orchestra del Friuli VG in Beethoven’s Ninth Symphony.

https://www.youtube.com/5D2Ern7I0 Timur

https://www.youtube.com/K0v4d27o O Isis


Role: The Countess of Coigny / Madelon
Irene Molinari, mezzo-soprano – born in Rome, 05.01.1983

https://www.irenemolinari.com/eng
Since 2012, she has performed in various productions at the Maggio Musicale Fiorentino.
In the 2014/2015 seasons, she performed Dorabella in Pafos, Cyprus, at the Festival of Aphrodite, and Angelina in Cenerentola at the same Festival. She also performed Rosina in The Barber of Seville at the Taormina Festival, and played Marthe in Faust at the Macau Festival. In the 2016 season, she performed Suor Angelica at the Maggio Musicale Fiorentino, Meg in Falstaff at the Ente Luglio Musicale Trapanese, and La Marchesa Clarice in Pietra di Paragone at the Lirico di Cagliari. In the 2017 season, she performed Rosina in The Barber of Seville for Opera Domani at the Circuito Lirico Lombardo, Fenena in Nabucco at the Como Città della Musica Festival, at the Teatro Sociale in Como, Mercedes in Carmen at the Teatro Coccia in Novara, at the Fouzhu International Music Festival – China, and at the Teatro Vittorio Emanuele in Messina. In 2018, she performed Afra – La Wally at the Teatro del Giglio in Lucca, Carmen for Opera Lombardia (ODM project), which will be revived in the fall, and Melibea in Viaggio a Reims for Opera Lombardia. In the 2019/2020 season, she performed for the Festival Palaces in St. Petersburg (RU), Carmen at the Romanian Opera in Iasi, Fidalma in Il Matrimonio Segreto at the Teatro Filarmonico in Verona, Zulma in the production of Italiana in Algeri at the Teatro Filarmonico in Verona, Cherubino in Il Nozze di Figaro at the Teatro Goldoni in Livorno, and Suzuki in Madama Butterfly at the Teatro Sociale in Rovigo.

In the 2020/2021 season she is Flora in Traviata + Beethoven’s Symphony IX at the Teatro Lirico in Cagliari conducted by Maestro FM Carminati, in Concert at the Teatro Sociale in Rovigo, Mozart’s Requiem with the Magna Grecia Orchestra conducted by G. Marcianò.

In 2022 Teresa in Sonnambula at the Teatro Lirico in Cagliari conducted by Diego Ceretta and directed by Bepi Morassi, Beethoven’s Symphony No. 9 with the Sanremo Symphony Orchestra, G. Rossini’s Petite Messe Solennelle with the Abruzzese Symphony Orchestra conducted by Jacopo Sipari, Zita in Gianni Schicchi at the Varna Opera.

In the 2023 season he will be Cherubino in The Marriage of Figaro at the Theaters of Pisa and Lucca, the Musician in Manon Lescaut at the Teatro del Giglio in Lucca, Modena, Ferrara, Ravenna and Rimini, Amneris in Aida – in Aida Concept for the Cairo Opera conducted by E. Orciuolo and directed by D. Garattini Raimondi, Bersi in Andrea Chenier for the International Opera Foundation in Belgrade conducted by M. Mottadelli, Flora in Traviata at the Teatro Politeama Greco in Lecce, Carmen in Tragediè di Carmen for the Circuito Lirico Piemontese. 

In 2024 he is present in the season of the Teatro Filarmonico (Arena Young) for the Opera L’imperatore di Atlantide is Carmen and Suzuki in Madama Butterfly for the Circuito Lirico Piemontese directed by J. Suppa and directed by S: Colella, he performs in Verdi’s Requiem at the Teatro Goldoni in Livorno and in Mozart’s Requiem with the Sanremo Symphony Orchestra. In the 2025 season, Carmen at the Circuito Lirico del Piemonte, in concert with the Orchestra del Friuli Venezia Giulia for a Brahms concert, Suzuki in Madama Butterfly at the Ente de Carolis in Sassari, Falstaff at the Teatro Comunale in Vicenza, engaged at the Ente de Carolis in Sassari in La Fanciulla nella Torre by J. Sibelius, Maddalena in Rigoletto for Euregio Classica in South Korea conducted by M. Colasanti, she will soon be Carmen at the Teatro Rendano in Cosenza and Mercedes in Carmen at the Teatro Petruzzelli in Bari.

https://www.youtube.com/QDFzJdmM     Against a Heart Rossini

https://www.youtube.com/7Q7RhQg  The Touchstone

https://www.youtube.com/Puej2co3k The Secret Marriage

https://youtu.be/ZJR3wJdvNcI                    Aria Fenena G. Verdi

https://www.youtube.com/IHlgapC_E          Petite Messe Solennelle – Agnus Dei

https://www.youtube.com/J7dSE&list  Requiem Verdi Teatro Goldoni